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A full-moon cover and a heavy heart. FM #49 leads with Henry Hull’s snarling Werewolf of London rendered in paint — the original cinematic werewolf — but the issue’s soul is its tribute to Bela Lugosi, the Dracula who gave horror its accent and its tragedy. Bram Stoker’s count, the Ghost of Frankenstein, and a side trip to Toho for Mothra round out a dossier that swings from Universal gothic to atomic-age kaiju without missing a beat.
Henry Hull's snarling WEREWOLF OF LONDON in paint — the original cinematic werewolf, still formidable, still feral, and not getting nearly enough credit.
The Lugosi tribute is the keystone — FM saying goodbye to Dracula himself with the weight it deserved. With Ron Cobb painting Henry Hull’s wolf up front, Issue #49 pairs naturally with Issue #41 on any werewolf shelf.
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FM #49 — May 1968
Henry Hull's snarling WEREWOLF OF LONDON in paint — the original cinematic werewolf, still formidable, still feral, and not getting nearly enough credit. Inside: DRACULA, THE SON OF DR. JEKYLL, THE GHOST OF FRANKENSTEIN, and MOTHRA, and Bram Stoker, Bela Lugosi, Henry Hull, and Louis Hayward.
Who had this one on their shelf? Who swiped it from an older cousin? Spill. ⬇️
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