Famous Monsters of Filmland #132 CGC 9.4 · Cert 4264855010

CGC · UNIVERSAL

9.4 · NM

Bindery: Subtle bindery/printing defects are allowed. Bindery tears must be less than 1/16" on Silver Age and later books, although on Golden Age books bindery tears of up to 1/4" have been noted.
Cover Appearance: Cover is flat with no surface wear.
Inks: Inks are bright with high reflectivity and a minimum of fading.
Corners: Corners are cut square and sharp with ever-so-slight blunting permitted. A 1/16" bend is permitted with no color break.
Cover Condition: Small, inconspicuous, lightly penciled, stamped or inked arrival dates are acceptable as long as they are in an unobtrusive location. Slight foxing.
Spine: Spine is tight and flat.
Staples: Staples are generally centered; may have slight discoloration. Almost no stress lines.
Paper: Paper is off-white to cream, supple and fresh.
Interior: Slight interior tears are allowed

FROM THE GRADER’S DESK Read the Slab Lab Field Guide

Issue Date: Mar 1977
Pages: White pages!
Status: In Collection
CGC Cert: 4264855010

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Collector's Notes

CGC 9.4 · White pages

A high-grade copy. A modest census of 28.

CGC census: 6 graded at 9.4 · 10 graded higher · 28 total · avg 9.03 (CGC Universal label)

Basil Gogos returns to King Kong — his second painted portrait of the great ape — for Issue #132, the magazine’s deepest dive on the 1976 remake, with “The Great Man Is Gone” bidding farewell to Fritz Lang and a Quatermass overview for the British-SF crowd.

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