The second issue's British edition follows the same London-printing, 2/6-pricing formula as the #1 UK variant. Some copies show minor differences — altered cover plugs or the absence of U.S.-specific promotions like the Monster Club. Even scarcer than its predecessor, with just a couple of slabbed examples documented versus dozens of domestic copies. A rare footnote from the era when Famous Monsters was still proving it could survive beyond American newsstands.
Issues #1, #2, #4, #6, and #7 represent the complete set of documented FM variants from the magazine’s first ten numbers — driven by international pricing adaptations and hyper-local U.S. promotional tie-ins that vanished as the title matured.
The sophomore issue, and proof the Big Bang wasn’t a fluke. #2 cements the formula that would carry the magazine for decades — a Boris Karloff profile (“The Monster Who Made a Man”), a Bela Lugosi piece billed “Public Vampire #1,” early horror-host coverage, and a letter from a young Robert Bloch. The foundation, set in print.
Warren returns in a horned Mr. Hyde mask (Fredric March version) with enormous monster hands, lounging cross-legged and holding a card that reads "First Issue Sold Out!" — now bearing a UK price stamp.
The bridge from experiment to institution — and, with Issues #1 and #3, part of the 1958 trio every serious run is built on. The Robert Bloch letter in the mail column is an early mark of how close this magazine stood to the genre’s working writers from the very start.
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FM #2 — September 1958
Warren returns for the sophomore issue in a horned Mr. Hyde mask (Fredric March version) and oversized monster hands, proudly holding a card that reads "First Issue Sold Out!". Inside: Frankenstein, and Jim Warren, Fredric March, Robert Bloch, and Boris Karloff.
Which page from this issue is burned into your brain? Drop it below. ⬇️
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