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A Sanjulian cover — the lush, painterly work of the Spanish master collectors hold onto — fronts #94. Inside, the issue rides the early-’70s Hammer wave with Dr. Jekyll and Sister Hyde and a return to Poe’s Murders in the Rue Morgue.
Karloff as the Monster in THE BRIDE OF FRANKENSTEIN — a painting of cinema's most poignant creature in his finest film, staring out from the cover with those deep, patient, inescapably sad eyes.
The Spanish school arrives: Sanjulian’s lush paintwork on Issue #94 reflects Warren’s deepening pipeline of Spanish artists — a thread that reshaped the whole company’s look in the ’70s. Painted-cover devotees single this one out of the photo era.
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FM #94 — November 1972
Karloff as the Monster in THE BRIDE OF FRANKENSTEIN — a painting of cinema's most poignant creature in his finest film, staring out from the cover with those deep, patient, inescapably sad eyes. Inside: THE BRIDE OF FRANKENSTEIN, THE MAN WHO LIVED TWICE, DR. JEKYLL AND SISTER HYDE, and MURDERS IN THE RUE MORGUE, and Boris Karloff and Thomas Rogers.
Got this issue? Read it till the staples fell out? Sound off. ⬇️
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