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A Basil Gogos cover fronts a strong, substantial issue. #16 runs Robert Bloch’s “The Clown at Midnite,” a Dick Smith television-makeup feature, and a 3-D photo essay on The Mask — the kind of dense, varied table of contents collectors prize from the early run.
Lon Chaney Sr. as the unmasked Erik — a painting of Hollywood horror's most indelible face, from the PHANTOM OF THE OPERA that launched the whole beautiful nightmare.
Original fiction inside a monster magazine: Robert Bloch’s “The Clown at Midnite” gives Issue #16 a place in Bloch bibliographies, not just FM checklists.
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FM #16 — March 1962
Lon Chaney Sr. as the unmasked Erik — a painting of Hollywood horror's most indelible face, from the PHANTOM OF THE OPERA that launched the whole beautiful nightmare. Inside: Phantom of the Opera, The Mask, A Blind Bargain, and The Mad Magician, and Basil Gogos, Lon Chaney, Forry Ackerman, and Robert Bloch.
Got this issue? Read it till the staples fell out? Sound off. ⬇️
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